Released at Last

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Inbal Singer

“Released at Last” is a piece so dear to my heart and is an extension of my original watercolor series “Hope and Peace” which I painted from my personal need to express and process my emotions amidst the unfolding events of the war. In the series I use captured butterflies to depict our hostages and birds as those no longer with us. This helmet, with butterflies emerging from a cage, is the juxtaposition of joy and pain. It serves as a poignant reminder of the two-plus years our nation has endured in agony awaiting the release of our hostages. This helmet holds immense significance for me.

The sculptural interpretation represents a tangible dialogue between the unwavering, courageous, and noble efforts of our IDF soldiers in rescuing the hostages, bringing an end to the war, and vanquishing evil. The hostages, the victims of this conflict, are the central focus.

To physically mold the hostages (butterflies) atop the army green helmet, the very foundation and supporting element of the hostage cage, transforms it into art is a powerful metaphor for the past two years and the profound gratitude I feel for the hostages’ release. It also honors the incredible soldiers who emerged alive. May this piece serve as a lasting memory for all who have fallen and a testament to the joy of those who survived.

Inbal Singer

“Released at Last” is a piece so dear to my heart and is an extension of my original watercolor series “Hope and Peace” which I painted from my personal need to express and process my emotions amidst the unfolding events of the war. In the series I use captured butterflies to depict our hostages and birds as those no longer with us. This helmet, with butterflies emerging from a cage, is the juxtaposition of joy and pain. It serves as a poignant reminder of the two-plus years our nation has endured in agony awaiting the release of our hostages. This helmet holds immense significance for me.

The sculptural interpretation represents a tangible dialogue between the unwavering, courageous, and noble efforts of our IDF soldiers in rescuing the hostages, bringing an end to the war, and vanquishing evil. The hostages, the victims of this conflict, are the central focus.

To physically mold the hostages (butterflies) atop the army green helmet, the very foundation and supporting element of the hostage cage, transforms it into art is a powerful metaphor for the past two years and the profound gratitude I feel for the hostages’ release. It also honors the incredible soldiers who emerged alive. May this piece serve as a lasting memory for all who have fallen and a testament to the joy of those who survived.